Entertainment

Rema Becomes First Nigerian on Rolling Stone’s Cover, Announces Major 2025 Tour

Nigerian superstar Rema continues to cement his place as one of the biggest names in global music. After making history as the first Nigerian artist to grace the cover of Rolling Stone’s Future of Music magazine, the Afrobeats sensation took to the stage in Austin to thrill fans with electrifying performances of his hit songs.

The singer dazzled the crowd with renditions of his smash hits, including Dumebi, Woman, and Calm Down, showcasing his signature energy and stage presence.

A Monumental 2025 for Rema

2025 has already proven to be a landmark year for Rema. His latest single, Baby (Is It A Crime), is currently the most streamed Nigerian song of 2025 on Spotify, further solidifying his dominance in the Afrobeats scene.

Beyond his chart success, Rema is gearing up for a major global tour. Later this year, he will embark on the highly anticipated HEIS tour, headlining major venues across North America, Europe, and Asia. Among the highlights is a much-anticipated return to London’s iconic O2 Arena, which he previously sold out in 2024.

Rema’s HEIS Tour Dates & Venues

Rema’s tour will see him perform at some of the world’s most prestigious venues, including:

  • Madison Square Garden, New York – May 3rd (19K capacity)
  • Place Bell, Canada – May 10th (10K capacity)
  • Scotia Bank Arena, Canada – May 11th
  • Carroponte Hall, Milan – June 14th (7K capacity)
  • Afas Hall, Netherlands – July 20th (6K capacity)
  • Okinawa Arena, Japan – July 20th (10K capacity)
  • Musashino Hall, Japan – July 27th (10K capacity)

The Japan tour dates mark a significant milestone for Rema, further expanding his presence in the Asian market. He has previously performed in India, including at the high-profile Ambani wedding, as well as in Malaysia, showcasing his global appeal.

As Rema continues to push boundaries and captivate audiences worldwide, 2025 is shaping up to be yet another milestone year in his already remarkable career.

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